For many years, the Charlatans were perceived as the also-rans of Madchester, the group who didn't capture the Zeitgeist like the Stone Roses or the mad genre-bending of Happy Mondays. Of course, they were more traditional than either of their peers. Working from a Stonesy foundation, the Charlatans added dance-oriented rhythms and layers of swirling organs straight out of '60s psychedelia. At first, the group had great promise, and their initial singles, including "The Only One I Know," were hits, but as Madchester and "baggy" faded away, the band began to look like a relic. It was commonly assumed that their third album, 1994's Up to Our Hips, was the end of the line. However, the Charlatans made a remarkable comeback in 1995 with their eponymous fourth album, which found them embracing not only the flourishing Brit-pop movement, but also underground dance and techno, as well as their mainstay of classic rock.